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Preparing artwork for a woven label
A woven label is built from thread on a Jacquard loom, not printed. That changes what artwork survives the process — a file that looks sharp on screen can lose its finest detail once every line has to be represented by physical warp and weft.
Vector beats raster, every time
SVG, AI, EPS and PDF give clean edges at any size because the loom is driven from the outline. A 72 dpi PNG lifted from a website will be soft at label scale. If raster is all you have, supply the largest original you can find rather than an upscaled copy — upscaling invents detail the weave then tries to reproduce.
Line thickness is a physical limit
Anything under roughly 0.5 mm at final size cannot be woven reliably — there simply are not enough threads across it. Hairline serifs, thin rules and outlined text are the usual casualties. Thicken strokes or increase the label size; the free artwork review catches this before production, but designing for it saves a round trip.
Color count is a design decision, not a cost driver
Up to twelve thread colors are available, and unlike screen printing the count barely moves the price — setup is per design, not per color. What it does affect is legibility: gradients and photographic shading do not weave, so convert them to flat, deliberate color separations before uploading.
Choose the fold before you finalise the size
Fold type changes the visible area. A center-fold label shows half its woven width; an end-fold loses a few millimeters to each turned edge. Set the fold first, then size the artwork to what remains visible, or the design will be technically correct and still look cramped on the garment.
Read more: Artwork guidelines · Minimum line thickness · Fold types compared · Woven labels guide
